History shows that many Muslim artists have produced exquisite paintings of Krishna. Centuries after they were created, connoisseurs delight in these enchanting revelations of skill and artistry.
The Mughal influence is visible in the Vaishnava devotional paintings, temple carvings and iconographic expressions. The supremacy of Krishna and the bhakti school was maintained by the Vaishnavas in the midst of an overwhelming Mughal influence during this period.
In the Mughal School, there was a considerable crossover between Vedic devotional themes and Persian style illustrations. After the Mughal Empire collapsed, Krishna leela scenes again proliferated in miniature works of artists under the patronage of non-Muslim states of Rajasthan, and from 1750 onwards, their work branched out into many wonderful schools of devotional art.
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